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Fela KutiThe life of Fela is full contradictions, and that’s a large part of what makes him so fascinating. People who love him are able to overlook his shortcomings.His songs are usually longer than 20 minutes, and sung in a slurred Pidgin English that is almost incomprehensible. His music is heavily influenced by Christian hymns and jazz, classical music Yoruba singing, and horn-andguitar heavy highlife.fela case settlements was a musicianFela Kuti embodied that music can be a powerful tool to change the world. His music was used to call for social, political and economic changes. His influence is present to this day. His style of music, Afrobeat, is a combination of African and Western influences. Its roots are in West-African music as well as funk. However it has evolved into a completely new genre.His political activism was fierce, and he acted without fear. He utilized his music as a protest against corruption in the government and human rights abuses. Songs such as “Zombie”, “Coffin for the State Head” and others were shrewd criticisms of Nigeria’s dictatorship. He also used Kalakuta as a venue to gather like-minded people and to promote political activism.The production includes a massive portrait of his mother, who died in the past Funmilayo ransome-Kuti. She was a renowned feminist and activist. She is played by actress Shantel Cribbs, who has successfully conveyed her significance in the life of Fela. The play also highlights on her political activism. Despite her deteriorating health she was unable to get checked for AIDS and instead opted for traditional medicine.He was a singerFela Ransome-Kuti was a multifaceted musician who used his music to effect political change. He is known as the creator of afrobeat, an energetic mix of dirty funk and traditional African rhythms. He was also a constant critic of Nigeria’s political and religious leaders.Growing up with an anti-colonial suffragist mother and a feminist father, it’s not a surprise that Fela was interested in political and social commentary. His parents hoped that he would become a doctor however, there were other goals for him.While he started in a more political highlife style, a trip to America changed his outlook forever. The music he composed was greatly affected by his exposure to Black Power movements and the leaders such as Eldridge Clever and Malcolm X. He adopted a Pan-Africanism ideology that would inform and guide his later work.He was a songwriterFela was introduced to Black Power activists such as Stokely Carmichael, and Malcolm X during his time in the United States. This experience led him to start a political group called the Movement of the People and compose songs that reflected the ideas he had about political activism and black awareness. His philosophical ideas were aired through the medium of yabis, an art of public speaking is referred to as ‘freedom of expression’. He also began to impose strict moral codes for his group, which included refusing to receive medication from Western-trained doctors.Fela returned to Nigeria and started building his own club in Ikeja. The snares of officers and police were almost daily. His hangers-on from Mosholashi-Idi-Oro repopulated the area around the club with hard drugs, particularly ‘bana’ and ‘yamuna’ (heroin). But despite this, Fela kept his integrity unshaken. His music speaks of his determination to challenge authority and demanding that popular ambitions are manifested in official goals. It is a legacy that will last for generations.He was a poetIn his music, Fela used light-hearted sarcasm to draw attention to political and economic issues in Nigeria. He also made fun of his audience, the government, and even himself. He referred to himself during these shows as “the big dick on the pond with the little fish.” The authorities took his jokes lightly and he was often detained and imprisoned. He was also beating by the authorities. He was eventually given the name Anikulapo, which translates to “he has his body in his purse.”In 1977, Fela recorded a song called “Zombie,” which compared soldiers to zombies who followed orders without question. This irritated the military and they raided the Kalakuta Republic, burning it down and beating its occupants. During the raid, Fela’s mother was thrown out of her second-floor apartment by the window.Fela developed Afrobeat during the years that after the nation’s independence. Afrobeat is a music genre that blends jazz with indigenous African rhythm. His songs criticised European cultural imperialism and supported traditional African traditions and religions. He also criticized fellow Africans who betrayed their nation’s traditions. He stressed the importance of human rights and freedom.He was a rapperFela Anikulapo Kuti, a saxophonist and trumpeter, was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He grew up listening to jazz and rock and roll, as well as traditional African music and chants, which helped form his style of music. After a visit to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas influenced his work.Fela’s music was a political instrument after his return to Nigeria. He was critical of the government of his home country and argued against Western sensibilities that impacted African culture. He also wrote about social injustices and human right violations. He was frequently detained for his criticism of the military.Fela also advocated for the use of marijuana, known as “igbo” in Africa. He also held “yabis” (public discussions) at Afrika Shrine where he would ridicule officials of the government and share his opinions on freedom of expression and beauty of women’s body. Fela also had a group of women in his youth, who danced at his shows and served as vocal backups for his vocalists.He was a dancerFela was a master of musical fusion, combining elements from beat music and highlife to create his own distinct style. He influenced a generation African musicians and was an outspoken critic of colonial rule.Fela refused to leave, despite being interrogated and detained by the Nigerian military junta as well having witnessed the murder of his mother. He died of complications related to AIDS in 1997.Fela was a political activist who was a critic of the oppressive Nigerian government and embraced the principles of Pan Africanism. His albums, including 1973’s Gentleman focused on the oppression of both government and colonial parties. He also pushed for black-power and criticized Christianity, Islam and other non-African imports for dividing the people of Africa. The title track from an album released in 1978, Shuffering and Shmiling, describes the over-crowded public buses full of poor people “shuffering and smiling.” Fela was a strong opponent of hypocrisy in religion. Fela’s music was in turn complemented by his dancers, who were lively elegant, sensual, and beautiful. Their contributions to the performances were as important as Fela’s words.He was an activist in the political arena.Fela Kuti was an activist who used music to challenge unjust authority. He steered his knowledge of American jazz and funk to African styles and rhythms, resulting in music that is ready for a fight. Most of his songs begin with slow-burning instrumentals. He layers notes, riffs and other elements until they explode with a sense of urgency.Fela, unlike many artists who were scared to discuss their political beliefs He was adamant and unbending. He stood in the cause he believed in even when it was risky. His mother, Funmilayo Ransome-Kuti was a prominent feminist who led the Nigerian Women’s movement. His father was both a protestant minister and the teacher’s union president.He also founded Kalakuta Republic, a commune and recording studio that was an expression of resistance. The government raided the Kalakuta Republic and destroyed property, as well as injuring Fela. He refused to give up, and continued to speak against the government. He passed away in 1997 of complications arising from AIDS. His son Femi continues to carry his musical and political legacy.He was a fatherMusic is often seen by many as a political act. The lyrics of musicians are used to call for change. However, some of the most powerful music-related protests don’t rely on words at all. Fela Kuti is one these artists, and his music still is heard today. He was the founder of Afrobeat music, which combines traditional African rhythms and harmony with jazz and hip-hop and was being influenced by artists like James Brown.Funmilayo Ransome Kuti was Fela’s activist mother. She was a unionist and opposed colonialism. She helped form the Abeokuta Women’s Union and fought against gender-discriminatory taxation laws. She also was a Marxist and believed that Nigeria should serve its entire population.Fela’s son Seun continues his father’s legacy, through the band Egypt 80 that’s touring the world this year. The band’s music combines the sounds and politics of Fela’s era with a passionate critique of the same power structures that are still in place in the present. Black Times will be released at the end March. Many fans attended the funeral and paid their respects in Tafawa Balewa Square. The crowd was so large that police were forced to block the entrance to the location.